Jordan vs Bird One On One (1992)

Box art scan shamelessly stolen from GameFAQS.
Larry and Michael better watch out, lest they fall into the red abyss below!

I've mentioned before in other reviews, but I'm not really a sports fan.  I don't hate sports, but I'm just not invested in them.  I fancied myself more of a sports nut when I was a kid, and even had a few favorite athletes, including one basketball legend, Larry Bird.  I suspect it was because he was a less than movie star looks average dude who just brought skill to the table, and I'm sure my dad had a bit of influence in terms of probably commenting to me here or there that he was a talented player.  I never geeked out about stats or anything, just enjoyed the game as it was being played.  My fascination with basketball was relatively short-lived, unlike my enjoyment of baseball, and my still-burning love of college football (Go Huskers!).

Box art shamelessly stolen from MobyGames.
This was the edition my parents bought me. I still have the 5 1/4"

floppy disk, though sadly, the packaging and manual are long gone.

However, I did enjoy a basketball game as a kid, on our trusty IBM PCjr.  That game was One on One: Dr J vs Larry Bird.  It was a simple, arcade-style, half-court basketball game.  It was simple, no-frills, and I loved it.  Sure, the PCjr joysticks left a bit to be desired in terms of precise control, but the simple, two-button scheme worked for me, and I had a lot of fun with it.  I can't say I put nearly as many hours into it as, say, Paperboy, King's Quest, or even the helicopter shooter/rescue game Striker, but as the saying goes, beggars can't be choosers.  Despite my meager interest in the sport, it felt like I was playing the same type of basketball I would play with kids in the neighborhood around one person's driveway hoop, and that was enough to keep me occupied.

As much as I appreciate that EA tried to replicate the box art on the
title screen, it's hard to make low-res pixel art look like these superstars.

I haven't shot hoops in years, and until I drop a few pounds, I probably won't be very eager to do so any time soon.  But the appeal of this kind of game is obvious, since the rules are less stringent than your typical full-blown basketball game.  It's far more casual, you can shoot a few hoops, and just have some fun.  Thus, the appeal of a simple one-on-one contest is there to draw in both dedicated basketball fans, as well as those looking for a lighter experience.  This is the kind of game that would have appealed somewhat to me as a kid, back when I first had my Game Boy, because of the quick, pick up and play nature of it.

Seems like a fair bit of content. "Seems" being the operative word...

Jordan vs Bird One On One is a relatively simple game.  There are 3 main game modes to choose from: One On One, Slam Dunk Contest, and 3-Point Contest.  For the One On One mode, you can play a full, 4-period game, a short match to either 11 or 15 points, or play a warm-up game.  For the Slam Dunk Contest, you have the main contest mode itself, a Slam Dunk Warmup mode, and then Follow The Leader, which involves watching Michael Jordan dunk the ball, and trying to mimic the same pattern.  Finally, with the 3-Point Contest, you have the actual contest mode itself, and like the other modes, a warm-up mode to go alongside that.

"Winner's Outs" is something I wouldn't enable unless I

became an absolute wizard grand-master of this game.

In the main One On One mode, there are a number of options.  You can choose to play as either Larry Bird or Michael Jordan, of course, and you can also choose the computer's skill-level.  Level 4 is the default, and is the lowest skill level, with level 1 being the highest.  You can choose whether or not to enable "Winner's Outs" ("No" means you alternate turns after each basket, "Yes" means the winner of the last basket gets the ball again.), and whether or not you want to enable fouls.  You can also choose the length of the periods, from 2, 5, 8, or up to 12 minutes.  With that, you can knock out a very fast game, or play for an extended period of time, and potentially have a very high score game going.  The "15 Or 11" mode is just what it sounds like - you play against the CPU until one of you reaches either 15, or 11 points, whichever you choose from the options screen.  Oddly, the One On One Warmup mode allows you to set all the options, but the only one that makes a difference is which player you choose to practice with.  It's simply your character on screen, allowing you to practice the game.

Larry struggles to catch Michael, on the next
episode of "Keeping Up With The Jordans".

The Slam Dunk Contest is a relatively simple affair, with you pitted against the CPU for a 2-round contest where you can choose from a list of 10 different signature dunks.  The CPU plays first, and you watch it pick, then perform, a dunk of choice.  At the end, you see the dunk rated on a scale from 1-10 from 5 virtual judges.  After that, you get to choose your dunk, and then execute it, and are judged/scored in similar fashion.  Repeat that process again, and if you can dunk flawlessly, you'll beat the CPU.  If not, it's back to the locker room with your sorry, sweaty self.  Also, because dunking is Michael Jordan's thing, both you and the CPU play as Jordan for this contest.

At least I'm not dragging Walton and Lanier
up and down the court for 48 minutes.

In the 3-Point Contest, you play as Larry Bird, since 3-point shots are kind of his signature.  You're pitted against the CPU in up to 4 rounds of 3-point shooting, from 5 different spots on the court, with 25 total balls available to you to shoot, 5 in each spot.  Each possible round is only 60 seconds long, so you really have to hustle to get to each grouping of basketballs, and fire them off pretty quickly.  I said "up to 4 rounds" before, because, if you don't keep up with the CPU and don't match them ball for ball, you automatically lose.  So if the CPU has a perfect round, you have to be able to match that level of skill before you can advance, and try to take them all the way through 4 rounds.

Watch in amazement, as Larry stands helpless against the
incredible dunking onslaught of Michael Jordan!

Controls are simple.  You use the D-Pad to run around the court, which you see in a sort of 1/3-overhead perspective.  When you have the ball, the A button jumps, and the B button shoots.  When you're on defense, A still jumps to block the ball, and the B button can be used to steal the ball.  In 3-Point Contest mode, you'll need to use B to pick up the ball from the basket, A to jump, and B again to shoot.  As usual, the start button pauses the game.  In the initial menu screen, you press the D-pad up and down to select which mode you want to play, and in the modes where you can set options, you use the B button to change the option itself, and press up and down on the D-pad to move between the different options.  The Start button then begins the selected contest mode.

Hey, guys! This is me, Larry Bird, jumping helplessly toward the
screen, because I forgot to stop before pressing the A button!

Graphics are reasonably good for the handheld, and though a touch sparse, make good use of the handheld's monochromatic shades.  There's a nice crowd in the background with tiny animation, and both main character sprites move and animate reasonably well.  The scoreboard is clean, and easy to read, if you're on either side of the court, and the shot clock ticks down clearly in the bottom-right corner.  There's also the nice touch of the old-school EA logo shown along the stands.  The game's graphics won't blow you away, and are fairly utilitarian, but for this game, they work, and are clean and pleasant.

I feel like there's a donut pun waiting for me here. I can't think of it
right now. That's okay, I'll circle back to it later on.

Sound, on the other hand, is incredibly minimalist in nature.  The title screen has a peppy tune that plays, and tries to get you pumped for the game, but it's rather repetitious, so you probably won't dwell there long.  The only other music on offer here is the short ditty that plays when he round or game is done, and you either win or lose.  Sadly, I never got to hear the winner's jingle, but the loser's jingle makes it pretty obvious as to what the outcome was.  Otherwise, it's basic sound effects for dribbling, shooting, the ball hitting the backboard or rim, the ball going into the next, bouncing on the floor post-basket, and so on.  The most annoying sound is in the beginning, when you hit the Start button to bypass the title screen, and again when you hit Start to choose your game mode.  I suppose it's meant to mimic a coach's whistle, but it's quite loud, high-pitched, and unpleasant.  Otherwise, the audio design is inoffensive, but ultimately nothing special.

I managed to get around Mike long enough to jump for a shot.
Notice the anatomically accurate shadow on the floor beneath.

I found a couple basic strategies worked well enough.  First, when you jump to shoot, you want to press the B button at either the top of the jump, or either just prior to that, or just after that, in order to have the best chance of the ball going through the hoop.  Also, rather obviously, if you can get around your opponent and start your jump before they catch up, chances are good you can score every time, if you master that first technique.  Also, though I wasn't overly successful with it, using B to steal the ball from your opponent can work if you get in close enough, and if they're facing you or you're coming at them from a 90 degree position from them.  Also, when I first started playing, I continually got a "Clear Ball Violation" penalty, when I would grab a rebound from my opponent's unsuccessful shot, and immediately try to score with that ball.  I wasn't able to find any official rules for half-court basketball that laid it out, but I did determine that if you grab a rebound, and run the ball down court past the free throw line, then you're golden to run back up and take a shot.

Good, one less point Michael Jordan will be spanking me by!

Another thing I learned quickly is that, when you're covering the other player, you have to be careful not to steal or jump too early.  Stealing stops you dead in your tracks, and if you're unsuccessful, the other guy can stop and shoot, often before you have a chance to recover.  Stealing is definitely a risk/reward strategy that I recommend using somewhat sparingly.  As for jumping to block, you have to make absolutely sure that your character has come to a complete stop when you hit the A button to jump.  If you don't, you'll be jumping in the last direction you were headed, and have enough hang time to ensure that your opponent will have no problem getting around you and taking their sweet time to score a basket.  The biggest obstacle to this is the relatively random patterns the CPU throws at you, in terms of how and where the character moves before they make an attempt.

As you can see, my dunk attempt was not rated very well. There
seems to be a disparity between the judges. One rated my dunk
at an 8, and two at a 5. I'm not sure who thought I did well...

While it seems like there are a number of game modes here, the amount of content is actually pretty light.  The full One On One game has the most potential, especially if you set 12-minute periods, because then you're getting a longer, more full-featured experience.  Of course, some of the other modes, and shorter periods in the full game, give you that nice bite-sized play style great for pick up and play sessions that you can burn out in a few minutes, and then put away when done.  Despite the slim amount of things to do in the game, that works in its favor, because it can become one of those titles that you just pick up for a few minutes, play, then put away and come back to when you only have a few minutes to spare.  Every other game mode outside the full mode is either a very short experience, or in the case of the 2 warmup modes or the slam dunk "follow the leader" mode, can be as long as you need or want them to be, since the practice modes are pretty much open-ended.  That said, unless you really enjoy moving a character around the screen shooting baskets with no competition or goal, those modes can become monotonous pretty quickly.  One thing I did note that is a bit of a downer is that both characters play essentially the same.  There are no real discernible differences I was able to determine between the two, which is disappointing, considering that they were both living legends around the time of this game's release.

Here's my scoreboard for a full contest with the CPU playing as
Michael Jordan. I stuck with the defaults, so only 2-minute
periods, and otherwise default settings.  I won't share what
the CPU's scores were. Suffice to say, I need more practice!

Ultimately, your mileage in the game will vary.  If you're a big basketball fan, or you enjoy retro sports video games, this might be the thing for you.  For me, I had some fun with it, but it didn't do much for me, since there's just not all that much to do in the game.  In terms of skill required, the game does take practice, because the CPU automatically sets itself at the lowest difficulty for each contest, and playing on the highest difficulty showed me how much I would have to play and practice the game to really reach that level.  In that sense, there's some value to be had, as long as you don't get bored with the limited number of game modes, options, and things to do.  I don't remember how much I paid for this game, though I think it was around $7 or $8.  That's reasonable, though these days it seems to be going for over $10 loose.  I'm not sure I'd spend that much, unless you're a die-hard fan of either player, or just can't get enough 8-bit b-ball action.  Having not played any other basketball games on the handheld yet, I'll reserve even a casual recommendation and just say that if you can "try before you buy" this game, spend a few minutes with it and see if it gels with you.  My initial reaction was kind of lukewarm, but after about an hour with it, I began to see how it could be a fun game for a fan.  If it can bring me around in that time, who knows?  Maybe it will score for you as well.

Gargoyle's Quest (1990)

Box art scan shamelessly stolen from GameFAQs.

Someone at Capcom USA should have been sacked for turning

Firebrand into a green gargoyle instead of his signature crimson.

From time to time, video game companies see fit to tinker with their intellectual properties.  This may be due to creative surges within the development teams, wanting to try something new.  Sometimes a dev team knows the formula within a given series has become stale or rote, and they feel the need to mix things up.  There are examples where changing the formula has had resounding success, such as Konami's Castlevania: Symphony of the Night, as well as instances where this approach completely flopped, as was the case with Accolade's Bubsy 3D.  Whatever the reason, creative minds generally need to branch out to do different things on occasion, to keep things fresh and flex the creative muscle.

Even though the box doesn't specify the Ghosts 'n Goblins

subtitle, the title screen makes sure you know what's up.

Such is the case with Gargoyle's Quest from Capcom.  It's sort of an off-shoot of the Makai-Mura series, better known as Ghosts 'n Goblins, or Ghouls 'n Ghosts.  In Japan, the game is known as Reddo Arima: Makai-Mura Gaiden, which can be roughly translated as Red Arremer: Demon World Village Side-Story.  Rather than starring the main protagonist of the Ghosts/Ghouls series, Arthur, it actually stars the "red arremer" enemy from the original game, known as Firebrand.  Based on the game's plot, it could be seen as a prequel to the original game, which you find out at the end of the game.

Nothing like initial story exposition from a series of ghouls dying

right in front of the main character. And this was a children's game?

Gargoyle's Quest is a side-scrolling action title, like its source material, but where the previous games were content just being ultra difficult, quarter munching arcade action games, Capcom changes up the formula.  Alongside the action sequences, you also have an overhead world, much like a classic JRPG, including towns where you can converse with other ghouls from the ghoul realm, and perform other tasks.  Each town has someone who will exchange the game's currency (vials) for talismans that act as additional lives.  There's also someone who will give you a resurrection spell (aka, a password), that you can use to continue your game if you need to power off your Game Boy, or you lose all your lives and want to continue your progress near where you left off.

For a game within the first year of the Game Boy's life, this title is

absolutely gorgeous. The flames in the windows flicker and burn,

and the rest of the backdrop is lush and detailed. Also, fish bones.

The game begins with the requisite story told via scrolling text, then a short bit of exposition via a few conversations seen in the overhead view.  Once that sequence is done, you're thrust into the first action level, culminating in a boss fight at the end.  Once that first level is done, you're taken to the overhead view, and get a chance to walk around the world to find the next town, where you'll discover your next objective.  In the overworld sections, you can encounter random battles; unlike a traditional RPG, however, you're placed back into a side-scrolling action sequence again, with between 1 and 4 enemies you must dispatch, to complete that action sequence and go back to the overworld.  After each of these random encounters, you'll earn "vials", which you can use later to purchase extra lives.  When in the overhead view, you can press the A button to access a menu, and you can choose to TALK to a person, USE and item, check your LVL or level, to see what your stats are, what weapons, items and magic are at your disposal, and so forth, and finally, you can CHK to check, or examine an item you see laying on the ground, or look for a secret.

"Whatcha doin', Firebrand?"

"Just hangin' out, dude!"

The basic flow of the game is thus: explore the overhead world, fight random battles, earn vials, find the town, talk to the town's ghouls, buy extra lives, get your password, then talk to the town's ruler, who will usually task you with a quest (hence the name) to retrieve a magical item or beat a baddie who they can't defeat.  Prior to taking on that task, this ruler usually bestows some power or item upon you that will upgrade your attack, or your life/defense, to aid you in completing your mission.  Once you complete that mission, you return to that ruler to either get directions as to where to travel to next, or sometimes get upgraded further before venturing on.  Some areas of the map have bridges you have to cross, which are often devoid of enemies, but are still side-scrolling action sequences, though more focused on avoiding traps, pitfalls, and environmental hazards, rather than combat.  Each major action stage includes a boss, and as you power up Firebrand, you will often need to use different attacks to take on those bosses, as well as to help traverse the stages themselves.

Now that is one ugly flying fish. Turn him into sushi, Firebrand!

Firebrand has a number of abilities.  He can jump in the air with the A button, and because he has wings, by pressing the A button again when he's in the air, he can hover or fly for a brief moment, until the "W" meter at the bottom of the screen is empty.  If you jump or fly up to a wall of most any kind, Firebrand will cling to it with his claws.  This particular ability is a key component of the game, because it's required to traverse each action sequence.  It's also key because, each time you touch the ground or cling to a wall, the "W" or "Wings" meter refills, giving you another brief moment or two to fly or hover.  When you're clinging to walls, you can fire in the direction opposite of the wall you're on.  You can also cling to a wall, jump, and then cling to the same wall higher up, allowing you to climb to the top and access more of the stage.  If you press the Start button while in an action sequence, not only does that pause the game, but you can then select between any of the weapons you have.  Also, if you have collected the "Essence of the Soulstream" item, it gives you a one-time use ability to refill Firebrand's health during an action sequence.  This ability will recharge for subsequent action stages.

This is one of the random battle encounters you face. Unlike a

regular RPG, you get a small action sequence where you have

to kill all the enemies to get back to the world map.

There are 4 attack types you have access to throughout the game.  The first is a basic flame attack, which you have at the start.  The second is a sort of spinning, boomerang-like weapon that can also double as a means of breaking certain blocks, to clear a path.  The third is known as "Claw", and is a large ball that, when spit out against a wall of spikes, creates a temporary place for Firebrand to cling to, useful for scaling large walls of spiky terror.  The fourth and final weapon, obtained just prior to the final boss battle, is known as Darkfire, and is a large flame.  This weapon shoots slowly, and can only be fired one at a time, but it's required to take on the final boss, the King of Destruction.  As you progress through the game, using the most recently acquired weapon is good for most situations, though toward the end you'll find yourself switching between the boomerang and the claw from time to time, depending on the circumstances.

Something tells me this guy's not happy to see me...

Gargoyle's Quest is a gorgeous early Game Boy game, really flexing the graphical muscle of the handheld.  Sprites are large and detailed, and generally speaking, animations are fluid and well done.  Terrain and locales are all rendered interestingly, with nice touches, such as the spooky looking tree trunks in the opening stage, to the floors of flame or blowing grass in some of the later stages.  Backgrounds are sometimes a bit sparse, but paired with the excellent foreground graphics, it becomes a total package that really shines on the handheld, and shows just what it was capable of so early on.  The overhead areas are also detailed and interesting, though Firebrand's 2-frame walking animation seems pretty basic.  All in all, the game wastes no time impressing visually.  I also wanted to make special mention of the "explosions" in the game, or the interesting visual effect when some enemies die.  It's a neat effect where the enemy sprite sort of simultaneously explodes and implodes, but with a bit of a sideways motion.

Who would create such an idyllic little town in the middle of a scary

forest? Looks like the real estate agents in the ghoul realm forgot

the 3 cardinal rules or property: location, location, location!

In the audio department, Gargoyle's Quest also shines brightly.  A couple of the game's themes recall the original Ghosts 'n Goblins or Ghouls 'n Ghosts main themes, though in a more subtle fashion.  The rest of the original music in the game is excellent, with a varied mix of energetic tracks played during action stages, along with more somber, contemplative material for the overworld map and town sections.  The short ditty that plays when you activate a random battle in the overhead view is foreboding, and the jingles that play when you defeat enemies and earn vials will get stuck in your head.  As for sound effects, they're well done also.  Capcom used more than one sound set for creating the "voices" that you hear when townspeople are speaking to you, and the various other sound effects all fit the game's mood, aesthetic, and overall presentation.  Kudos to composers Harumi Fujita and Yoko Shimomura (better known for her work on Final Fight, Street Fighter II, and later Parasite Eve) for such an expressive, emotive set of music to accompany this game.

This little sandpit can be tricky to get to. If you don't approach it

just right, you'll get flung back, as if you were in a windstorm.

The game has a few interesting design quirks.  First and foremost, while the overhead sections serve to function a bit like a proto-RPG, the random battles that ensue are treated as individual entities.  By this, I mean that, when you enter a random encounter, you have full health.  After each random battle on the map, your health refills.  This is by design, I'm sure, since you start with only 2 hits, and the game would require even more patience and persistence to clear, were it not for this small mercy.  The password system, while only 8 characters long, is full featured.  Each password takes into account the town you're in, the items and powers you've collected, the number of talismans (lives) you have, and the number of vials you have collected.  Because the game is reasonably linear, there are probably a relatively finite number of passwords, but it's still relatively robust for what it is.  Also, despite the fact that, in the overhead view, you have 4 menu choices, you only use the "USE" command a couple of times in the game, rendering that feature relatively pointless otherwise.  Oh, and you'll want to stock up on extra talismans early in the game.  Toward the end, each extra life costs 32 vials from the local merchant - ouch!

Capcom really used the potential of the Game Boy's hardware

when making the graphics for the game. Even today, they're

stunning, with intricate designs, and lots of fine detail.

Gargoyle's Quest is a difficult game, and at times, can be pretty punishing.  The ability to purchase extra lives helps, though I found myself forced to "grind" through dozens of random battles toward the end, to earn enough vials to purchase extra lives, so as much as I was making mistakes in the later action stages, I could foul up and still be able to muddle my way through.  This game moves at a bit of a slow pace, though it's still action packed, and because Firebrand sort of moseys through each level, sometimes the enemy or hazard placement can feel cheap, though, like with most any action platformer, level memorization helps alleviate some of that.  In general, slow and steady wins the race.

The pause menu has a handy-dandy heads-up display, showing

you the number of lives, how many vials you've collected,

which weapon you have selected, and more.

Incidentally, I played through most of the game on the original Game Boy DMG model, and switched over to playing on the Super Game Boy toward the end, just before the second to last boss encounter, when the difficulty started to ramp up.  Despite the motion blur on the DMG, the game's excellent graphical design and generally slower pace made for a pleasant experience on the monochrome handheld, even after all these years.  For a game to still be fun to play, and still play well, on the monochrome Game Boy, it has to be a good game.  It's easy to have fun with most any game from this era, played on a Super Game Boy, Game Boy Player, or later iterations of Game Boy hardware; but for a game to still excel and not feel like a chore to play on the original hardware, when there are so many better alternatives?  That's a sign of good game design, and Capcom delivers that in spades with this title.  Despite the fact that this game is very common, it has gone up in price in recent years, to around or above the $15 mark.  With most Game Boy games, I would recommend looking for something less expensive, or waiting for a good deal, Gargoyle's Quest is worth every penny, and is an essential cart for the discerning Game Boy fan or collector looking to get the best titles for the library.  If you haven't played this game, and you even remotely enjoy action platformer games, or action adventure games with light RPG elements, you owe it to yourself to check this game out.  Highly recommended, if not downright essential.

Disney's Hercules (1997)

Image shamelessly stolen from GameFAQs.

Though I haven't yet seen the film, I recognize the art style, and

while this isn't totally representative of the contents therein, at

least the branding is consistent.

During the 8 and 16-bit eras, it's no secret that licensed games were a mixed bag.  That is, a mixed bag of mostly garbage, and the occasional diamond in the rough.  For every Sunsoft Batman, there were a dozen LJN X-men games, or titles of that ilk.  The one major bright spot among all the detritus was Capcom.  Their handling of a number of Disney properties was excellent, and many of the resulting games, such as Duck Tales or Chip and Dale's Rescue Rangers on the NES were hailed as shining examples of action platform games, and are often still lauded as some of the best games on the system.  Not all their efforts were perfect, but certainly they stood head and shoulders above the competition in nearly all respects.

From what I understand, this is supposed to be representative of Hercules' home in

the film. Not sure why Tiertex thought that might make a captivating title screen...

To paraphrase another, now Disney-owned, property: "That was before the dark times; before Virgin Interactive."  At some point, Capcom lost the Disney license, and most of those properties were then handled by Virgin Interactive.  Not all, but a large share of them, were handled by VI, and resulted in a series of mostly mediocre games.  The Lion King may have been an excellent movie, but it didn't result in outstanding games.  Over time, Disney has had a number of game development houses involved in making games from their properties.  In 1997, developer Tiertex Design Studios got their shot at a new property, the fresh take on an old Greek mythology classic, Disney's Hercules.  Does this game deserve to be thrown out with the refuse of most licensed titles, or is it the diamond in the rough, made possible by Hercules himself squeezing a lump of coal until it becomes a precious gem?  Read on, dear soul.

Not sure if "Phil" is annoying in the movie, but given that he's voiced by Danny

DeVito, it's a good probability. He's annoying in the game, popping up and

offering advice in the midst of action, breaking up the game's flow.

From what I understand, this game is marginally based on the movie of the same name, an animated adaptation (I'll use that term loosely) of the Greek mythology stories of the character of Hercules.  Disney, of course, has to inject their own spin on things, so it's all very light and fluffy, but wrapped up nicely with a bow of some "moral of the story" by the end.  Basically, Hercules has discovered that he's the son of Zeus, the king of the Greek gods, and must set out on an adventure to prove himself so he can take his place among the pantheon.  For some reason, Hades sees Hercules as a threat, so he tries to foil Herc's plans, by convincing a young maiden to try and distract Hercules from reaching his goal.  Hilarity ensues, and you have a reason to wander around with the titular character, fighting all manner of creatures and completing challenges to prove your strength and worth.  Well, sort of.

See that giant dragonfly-like creature above Herc's head? Learn to kill those bad boys

quickly, or they'll drain your life bar faster than you can say, "By the gods!"

Rather than having Hercules go and take on a number of challenges as he does in the original mythos, this game sees him wandering through a number of relatively nondescript locations, fighting non-human characters, and collecting what look like milkshakes to stay healthy.  Sounds riveting, right?  Herc's only weapon is a sword, which seems odd, since he's supposed to be super strong, and may well elect to only use his fists.  You also have a "shoulder smash" move, where you can make Hercules run, and then ram his shoulder into the enemy, or a block wall to break it, but you only use that a small handful of times in the game.  There's a really awkward looking jump kick maneuver that's included in the game, but I didn't find anywhere it was actually useful, other than performing the move to watch how awkward it looks.

Hercules, mastering the most awkward one-handed rope climb ever, sword in the other hand.

Graphically, the game is a mixed bag.  They aren't overly interesting, but they're not entirely boring, either.  Some spots have decent graphics, such as scenery like large stone blocks, and some trees, but otherwise, things are a bit ho-hum.  Nothing reeks of poor design, and there's not an abundance of scenery that you can't tell isn't scenery, but nothing stands out very much.  It's just kind of blase.  That's not atypical for a Game Boy game, though at this point, just a year and a half from the launch of the Game Boy Color, many developers had learned how to really squeeze a lot out of the little handheld.  Tiertex wasn't necessarily one of them.  Animation is okay, trying to mimic that somewhat fluid Virgin Interactive style, but not quite hitting the mark.  However, because this title is compatible with the Super Game Boy, when used in that context, at least there are splashes of color, and differing motifs that change things up and keep them interesting throughout.

I don't remember which level this password is for, probably the 3rd of 4th. You're welcome.

In terms of music, you get the main theme from the game, which plays during the title screen and attract mode, and from what I've read elsewhere, the rest of the music is original to the game.  Unfortunately, despite there being 9 stages, there are only a couple of tunes that alternate between different levels, so you're limited to just that music.  On the upside, they're not grating or bad songs, and are a bit catchy.  If you play long enough, like I did, you may find yourself humming them.  That goes double if you play via the Super Game Boy, as the music gets an upgrade in that configuration.  Unlike a lot of games, which just add borders, and occasionally colored still images between levels, not only do the graphics get a boost here, but the music does as well.  The songs in-game are upgraded to sound more like what you'd get on the SNES, and it helps make the music more memorable.  Sound effects, on the other hand, are passable, standard fare, and little more.

The 2 levels where you ride atop the mighty Pegasus are made slightly easier by

grabbing the flaming sword toward the beginning of the level. That's not saying

much, however, because both levels are painfully easy to begin with.

In terms of gameplay, this game takes its cues from Prince of Persia more than any of its licensed Disney game forbears.  Your character moves along at a slow pace, and if you want to run, you press the direction you want to go twice rapidly, then hold that direction down.  There's one button for jump, and one for attack.  If you hit the attack button while running, you go into the running stance for the "shoulder smash" I mentioned earlier.  If you walk up to a platform that you would normally jump onto in most games, instead you press up on the D-pad to make Hercules climb up.  Otherwise, Hercules' jump is pretty short and pathetic.  This is a key factor to the game, which I'll touch on more later.  If you jump toward a vine or rope, you can grab hold, and then press up or down on the D-pad to climb.  When climbing up a rope or vine, if you hold left or right and press the jump button, Hercules will jump at a near 45-degree angle downward from that point.  You can also press down on the D-pad to duck, which you'll need to do to attack some enemies.  In the 2 stages where you fly on Pegasus' back, you have free range of motion, and just a simple punch or sword swing attack.  In Stage 7, which is the labyrinth with the Minotaur, you also use up and down on the D-pad to enter doors to different sections of the maze.  It's simple and easy to pick up, though some of the timing can be a bit tricky.  There's a delay between hitting the attack button and Hercules actually swinging or jabbing his sword, so that's a factor.  In fact, nearly all movement commands have a bit of a delay, which players will want to keep in mind.

The majority of foes in the game are animals of one type or another, like this

scorpion. PETA should have had a field day with this game in 1997.

When I started playing the game, I nearly rage quit out of frustration after my first couple attempts, thinking Disney had decided to punish fans by letting Tiertex design this game.  After learning the controls, and coming to grips with some of the game's quirkier design choices and pitfalls (quite literally), I started to understand the flow, and subsequently, began to have a little fun with it.  If you go in expecting an action platformer, you'll be sorely disappointed.  Instead, think of it as a platform adventure game with light action elements, and your perception may be more favorable.  Once I had the mindset that it was pretty far removed from the Capcom Disney games of yore, and had much more in common with the later VI-developed titles, I had a better frame of reference as to what the game wanted to accomplish.  As an adventure game, you also have a basic 4-character password system, so you can play a few levels and then go back to it later.  This is also handy, because you're only granted 1 life, and there are no continues.  If you die partway through the game, your only recourse is to enter the password for the last level you were playing and just try again.

The ONLY time the "shoulder smash" move is remotely useful is against these big

rock monster guys. It levels them to rubble in one hit. Otherwise, good luck

carving them down with a sword; that ain't happening.

I mentioned that I had some fun with this game, but that's not without caveats.  I'm not a big fan of the original Prince of Persia formula, but I understand the appeal.  I have had fun with similar games like Flashback or Out Of This World, so it works for what it is.  However, the pacing is horribly slow, the limited music selection is disappointing, the combat is rote and uninteresting, and the boss fights are all laughably easy, and not in a good way.  The only time I was challenged with the game at all, once I figured out what I was doing, was in the labyrinth level, because the map screen you're provided doesn't really help that much, and in Stage 8, which I sadly didn't complete, because there's a spot I couldn't figure out how to get past due to a "false floor" situation where you fall through a platform.  I know it can be done, but I couldn't be bothered to spend any more time trying to work out how to get past that spot, as many times as I tried crawling, running, and jumping to pass it, especially with as long as that stage is leading up to that point.  Suffice to say, though I had some measure of fun with the game, it just wasn't fun enough to warrant putting the time into it to finish.

This boss is extremely easy. You move in close enough to strike, swing your sword,

then back away a step to avoid getting kicked. Rinse and repeat until enemy is dead.

The supporting character of Philoctetes, aka "Phil", is only present in still screens where he tries to give you advice, but those screens pop in at inconvenient times, and completely break up the flow of the action.  By way of example, when you jump from a vine in the first stage and are about to hit the ground, Phil reminds you to watch for enemies.  The instant you hit a button to make that screen go away, you hit the ground, and are immediately accosted by a scorpion, which you have to duck to attack.  Unless you know it's there, you will likely take damage.  There are also spots where Phil interrupts as you're about to do something, and you will likely take damage as well, such as when he warns you about incoming fireballs.  There are spots where you will take damage no matter what, because of some poor design choices, and despite Herc's awful jumping skills ("Greek Demi-gods Can't Jump"?), the first stage has several spots where, if you don't jump to the side to grab the vine and climb up, you'll instantly fall if you try to walk up to the vine and grab it.  The scenery distinction isn't entirely obvious, and unless you're paying close attention, you may miss it and fall to your death like I did 2 or 3 times before realizing what you have to do.  These annoyances don't ruin the game experience, but they certainly keep it from being a top-tier Game Boy title, this late in the handheld's life cycle.

You know what, Phil? Why don't you shut your stupid mouth! Come down here

and let's see if you can fare any better with these janky controls!

At the end of the day, Disney's Hercules is an okay distraction, but not something I would want to put much more time into.  It doesn't do anything particularly well enough, save for the Super Game Boy music, to write home about, and the awkward animation, stilted level design, and somewhat clumsy combat bring down an otherwise reasonably solid experience.  As I said, if you go in expecting an action game, you will come away disappointed.  Instead, think of it as a slow-paced adventure with platforming elements, and it fares a bit better.  Still, this isn't a game I can heartily recommend, and I certainly wouldn't pay much for it.  I paid $4 for my copy, and I'd say that's plenty.  Had I been able to do so during the time of the game's release, it would have been a weekend rental, and that $4 would have been spent to determine that it's just not a good enough game to warrant paying retail price for.  Even in today's aftermarket, I can't recommend paying much more than what I spent, even for hardcore collectors.  If you're looking for a fun game, you can do much worse, but you can also do much better.  Recommended only for devotees of the animated movie.

P.S.  As a side, note, there's a really excellent write-up about Disney's Hercules for Game Boy that I would also encourage you to read, courtesy of a site called "StarBlog".  Starboy91 writes incredibly detailed and thorough reviews of games, far more in-depth than I care to get most of the time.  I consider myself to be quite verbose, but his reviews border on novellas.  Still, worth reading if you really want that exhaustive level of content.

Pit Fighter (1992)

Image shamelessly stolen from GamesDBase.
3 buff dudes and a lady in dominatrix gear. Nothing can

go wrong with this scenario, right? Nothing at all...

Since the inception of the modern fighting game with Street Fighter II: The World Warrior in 1991, scores of video game developers have attempted to jump on the head-to-head fighting game bandwagon at least once.  SNK had Fatal Fury, Midway had Mortal Kombat, Data East had Fighter's History, and even Capcom rivals Konami had the little known Martial Champion.  Prior to the fighting game craze, however, companies were still trying to figure out a way to make a fighting game that wasn't just walking left to right, mindlessly punching enemies in the face, but focused more on actual human interaction.  Atari threw their hat in the ring (sorry, pun intended) with 1990's Pit-Fighter, originally released in the arcade.  The game was received well enough to receive a whole cadre of home conversions, including a port for Nintendo's own Game Boy.

Unlike some games, at least the logo is the same here

as it is on the box. That's about all that's good about it.

It makes a weird kind of sense that someone would port a game like Pit-Fighter to the Game Boy, and yet it makes no sense whatsoever.  It makes financial sense, because if you liked the arcade game, you might want a home console or portable version, right?  So why not port the game to anything and everything with enough power to give some facsimile of the game?  Where that logic ends, however, is with the realization that the Game Boy just didn't have the power to approximate a game like Pit-Fighter with enough technical success to make it anything more than a curiosity.  Rather, it's more of an abomination.

Buzz is one of the 3 fighters you can choose from. Not

much to look at, he's your standard beefcake wrestler.

Forget the fact that several development teams, including some of Nintendo's own, had been able to make the Game Boy do some pretty amazing things by 1992.  Logically, you don't take a 3-player, open arena based head-to-head fighting game with beat-em-up mechanics and environment interactivity onto a handheld system that is barely as powerful as its home console hardware predecessor.  I would have loved to be a fly on the wall at that meeting at the Atari Games/Tengen offices when they decided to port the game to the Nintendo Game Boy.  That must have been an interesting discussion.

I could totally see this happening at the Atari Games/Tengen offices, given how much focus
there was on pure profit during those times, especially with arcade ports to consoles.

Nevertheless, like any game company wanting to eek every cent of possible profit from their intellectual properties, Atari Games decided to port Pit-Fighter to every possible console they could to maximize the game's earning potential.  They probably knew that console ports of Street Fighter II were going to dwarf any earning potential they had soon, so it had to release fast and on as many platforms as they could muster in order to capitalize on the arcade original's marginal popularity.  Indeed, the SNES port of Street Fighter II, followed later by the Sega Genesis release of Street Fighter II: Championship Edition took the console world by storm, and most other fighting game franchises were left in the dust.  No one can fault Atari for wanting to bleed the proverbial turnip dry, given the fervor fans had for one on one fighting games by 1992, and wanting to get in on a piece of that action, monetarily speaking.  Sadly, the Game Boy conversion (that term used very loosely) of Pit-Fighter, leaves a LOT to be desired.

Don't talk to me like that, you meanie!

Here's the basic setup, for the uninitiated.  Pit-Fighter is a head-to-head fighting game that, at least in the arcade original, would "pit" (pun intended) up to 3 fighters against one another in mortal combat (I can't help myself).  Each area is an arena in a sort of 2.5D view, and you can move up, down, left and right, and all over the place.  You have the ability to punch, kick, and jump (with both buttons simultaneously), and depending on your proximity to another fighter, and the combination of your movements and button presses, you can do other things like throws, or slamming/kicking your opponent when they're on the ground to deal extra damage.  After you win a round, you're granted temporary use of a special attack, which you can execute by sort of "swiping" over the two attack buttons in rapid succession, executing the attack.  It's a tad clumsy, but it works well enough, and that usually deals more damage than anything else, so it's important to use that as frequently as possible.  Each fighter's health is represented by a counter that slowly whittles away as you or your opponent take damage.  Once the counter reaches zero, it's game over.  No continues, no second chances, just death.

Looks like Buzz won himself a match! I hope that $1850 is enough

to pay his medical bills after the next subsequent beat down!

In the original arcade game, you had nice extras like the 3 player melee, weapons you could pick up off the ground, Double Dragon-style, and crowd interaction.  If you got to close to the crowd, the audience could attack you or push you back into the fight, and you take damage.  This was a strategy you could use to your advantage, by backing your opponent into a literal corner, then a combination of allowing the onlookers to pummel them, and unleashing your own fatal fury upon them (sorry, I can't stop).  In the Game Boy version, the 3-player mode is removed, for obvious reasons, and sadly, there are no weapons available to assist you.  You have to rely solely on your own art of fighting (it's getting bad) to see you through each match.  Unfortunately, there's no health regeneration between levels, and no health pickups or bonuses, so the best and only strategy you can hope for is to get through each level with little or no health lost, so you can make it to the final fight (that was low hanging fruit) with as much energy as you can.

$11K for a single low-level fight? I picked the wrong profession...

Graphically, the game does as good a job as you could expect the monochrome handheld to do.  The arcade game was a touch herky jerky, and Nintendo's venerable handheld doesn't handle the scrolling very well so it jerks and stutters a fair amount.  The crowds have exactly 2 frames of animation which go back and forth at varying intervals, so it gives the illusion that there's more going on than there really is, but as you'll be focusing on your opponent, you may not even notice.  The character animations are copied from the original, though obviously scaled down for this format, and are equally as awkward as the source material.  The strange thing is, on the original DMG hardware, the game looks fine.  With different palettes, however, the graphics have a weird effect where your character sprite, or other elements, may disappear into the background because of the blending.  This is evident with the Super Game Boy and Game Boy Player, as well as with the Game Boy Color and Game Boy Advance.

In terms of audio, it's a mixed bag.  The game has relatively impressive voice samples, taken straight from the arcade game, that are present here.  However, for anyone who played the original, they would notice the rather limited number of samples available here.  Speech samples are a small handful of grunts, a laugh, and a couple yells.  It's reduced to somewhere in the neighborhood of 1/3 of the original voice samples, and despite being somewhat impressive coming out of the Game Boy hardware, are still far less than what the original game allowed for.  There are also punch and kick noises, which sound like you might expect them to, sort of a "whiff" sound.  Unfortunately, only one music track from the arcade game is converted, and because the original wasn't exactly a bastion of great melody, since that's all that's left available from the 4 sound channels on the hardware, it grates quickly because it's just not that well composed.

"You're the best around,

nothing's gonna ever keep ya down!"

The other curious thing about the audio is what happens when you play Pit-Fighter on a Game Boy Advance, GBA SP, or Game Boy Player add-on.  You get this curious effect where, interspersed with the sound and music, you hear this high-pitched whistle or ringing effect.  It rings somewhat intermittently as the game is played, but the occurrence of it is near-constant.  As if the game's sound didn't already border on annoying, this happens, and puts the whole experience over the top.  It's an interesting phenomenon, and while I don't yet know the reason for this anomaly, I recorded a video documenting it, along with the odd video problem I mentioned earlier, regarding character sprites blending into the background:

Episode 001 in my new Game Boy Oddities series.

At the end of the day, Pit-Fighter remains only marginally playable.  The original game wasn't known for tight control, and the Game Boy port fares no better.  The game's "moves" aren't easy to pull off, and some of the maneuvers, like the rolling that Buzz can do when he gets up from being knocked down, I was never able to accomplish.  The graphics are problematic because of the choice to merely copy the arcade, rather than retool for the hardware, and the impressive speech samples aren't enough to save the game's audio from being anything more than mediocre at best.  The game offers no continues, unlike the arcade original, and because there are no power-ups (like the "power pill" which offered temporary invincibility in the original), health restores, or breathing room, the randomness of the enemy characters just adds to the punishing difficulty.  With some practice, I was able to kind of make it to the 3rd fight on most every attempt, but the game also lacks the "Grudge Match" option, where you fight a clone of yourself to try and score 3 knockdowns.  With all that's missing from this port, all that the development team failed to tighten, and the obvious fact that this just wasn't a stellar game to begin with, and you're left with a Game Boy title that made neither Tengen, nor TH-Q, into world heroes (please, someone stop me!).  I paid exactly $4 for this, and that's probably the most I would encourage anyone to pay.  Not that I'm encouraging anyone to pay for this game.  No, I would tell you to stay away, because it's just not a good game, it's not a fun game, and it's not worth your time.  Pass this one up unless you're a Pit-Fighter die-hard (should such a creature exist), or an avid collector like me, who masochistically has to have every title, no matter how wretched.